The ABP makes the
Summertime Blues FUN!

The Alabama Blues Project's award-winning Summertime Blues Camp gave students the opportunity to take music workshops in their choice of guitar, harmonica, drums or voice with some of the greatest professional musicians in our state at a variety of levels. In addition, the Summertime Blues Camp offers art classes headed by internationally renowned artists, lessons in songwriting, life skills and blues history. The Blues Camp also features some very special guests!

Each band of students also
wrote their very own blues song

with the help of local blues musician
Doobie "Doghouse" Wilson
!

Photobucket2010 Summertime Blues Camp was held at the Covenant Presbyterian Church in Tuscaloosa from 9 a.m. to 5 p.m., Monday, July 19th to Friday, July 23rd. Friday’s session was an Open House Blues Café where the young musicians showcased their talent with a music performance and art show. Over 250 family members, friends and the wider community came out to this very special event!

If you have children between the ages of 8-17 who would be interested in attending future blues camps, please contact Cara Smith at cara@alabamablues.org or (205) 752-6263. Thank you!


Summertime Blues Camp 2010

Story by Victoria Corley

PhotobucketWith the help of a local non-profit organization, children in Tuscaloosa are learning how to unplug their iPods and re-connect with music of the past.

For the past ten summers, the Alabama Blues Project has hosted a weeklong camp that preserves blues music by teaching children through an interactive program that educates and entertains.

This year at the annual Summertime Blues Camp, campers learned to play an instrument of their choice, while creating folk art with renowned artists Chris Clark and Miz Thang, as well as creating portraits with incredible Birmingham artist Bruce Andrews. Also at camp, the students participated in intensive blues history studies and songwriting workshops.

PhotobucketKim Davis, a blues history teacher, enjoys getting children excited about a history that is not taught in school.

“We’re teaching children where music came from, how it started, and the influences their state had on music. They are proud to be part of the Alabama blues culture, and they want to share their knowledge,” said Davis.

A majority of the campers this year had never played an instrument before coming to the summer camp. By the end of the week, all of the students were in bands and writing original songs.

PhotobucketNigel Law, a 4th year camper, feels the most thrilling part of camp is performing the original songs, but that the most important part of camp is learning.

“I learned to play the electric guitar, and I learned that guitars weren't’t always electric. I want to learn more about the blues and how to play,” said Law.

Ben Joseph, a music instructor, has recently taken over the responsibility of teaching the Intermediate Band, a new band added because of the overwhelming amount of talented students at blues camp.

PhotobucketJoseph describes the amount of creativity at blues camp as something you would never imagine existed.

“These are just ordinary kids from Tuscaloosa who have discovered the blues and can use it as a creative outlet; the things they learn at camp are important to keeping the blues alive,” said Joseph.

Cara Smith, Alabama Blues Project program director, believes that the Summertime Blues Camp is the most unique camp experience in Tuscaloosa and possibly the state. The camp was designed to offer students what they wanted from a music camp.

Photobucket“A student came to us and said that it would be cool to have different bands and write original songs at summer camp. So we made some changes, and gave the kids exactly what they wanted,” said Smith. “At the end of the week they are so proud and excited to share their music. Only one week here and they perform and produce their own music, it’s just amazing.”

On the final day of the weeklong camp, the students, along with instructors and guest Carroline Shines, performed at the Blues Café.

PhotobucketThe Blues Café was a special performance that allowed students to show off their folk art and blues music to friends, family and the community.

Katie Thomas, a student at Shelton State Community College , was at the Blues Café to watch her cousin perform.

“I don’t think I have ever been so impressed by a group of kids, I thought I was going to hear a choir like sound, but this was amazing. I think it is so cool to see kids learning about an art that is so old; it’s very admirable,” said Thomas.

The program receives wide community support, both practical and financial from many sources, including local businesses, foundations, social organizations and individuals. Of special note for Blues Camp are the Alabama State Council on the Arts and the National Endowment for the Arts, who both continue to provide outstanding support for this program and more broadly for arts in the community.


Crimson Blues

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"Hairy Spider Blues"

Woke up this morning,
there was a spider in my bed
Woke up this morning,
there was a spider in my bed

Jump out of bed and
ran to my parent's room
Help! Help! Help! Help!
Jump out of bed and
ran to my parent for help
Help! Help! Help! Help!
My dad said don't fret,
I'll go and get the broom

Thank you Daddy
for getting the broom
Thank you Momma
for guarding my room
Thank you, Thank you,
There's no spiders in my room

There goes the story of
the Hairy Spider Blues


Druid City Jukes

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"Dinner Surprise"

I finish my homework, my
tummy tells me it's time to eat
I smell my mom's fried chicken,
I know it can't be beat
We sit down at the table,
I'm lookin' for a real nice treat

I like fried chicken, pizza,
gumbo and spaghetti
I like to finish dinner with
cookies, ice cream and
ch-ch-ch-chocolate cake

But I look down at the table,
and all I see is cauliflower,
brussel sprouts and broccoli

I learn to love my veggies
if I want dessert
I learn to love my veggies
. . . It couldn't hurt
I learn to love my veggies
if I want
ch-ch-ch-ch chocolate cake!


Yellowhammer Jammers

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"Yellowhammer Jammer Blues"

We like to go to school
Cause school really rules
We don't want to be no fools
We're here to spread the news
We're here to play the blues . . .

Yellowhammer
Jammers are cool!


Hackberry Harmony

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"Low Down Lay Around
Lunchtime Blues"

Cheetos, pickles and
Chicken wings
Butterfingers all kinds of things
I feel so stuffed,
my tummy's tight
Don't know if I'll be
sleeping tonight

I got the low down lay
around lunchtime blues


Intermediate Band

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Advanced Band

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SUMMERTIME BLUES CAMP
PHOTO GALLERY

SUMMERTIME BLUES CAMP
OPEN HOUSE VIDEO

LEAD MUSIC INSTRUCTORS

Brad Guin - Advanced Band Leader

PhotobucketBrad Guin is a phenomenal saxophone player his lyrical and stylistic tenor sax playing has led Brad to some of the most acclaimed gigs a young horn player could hope for. He specializes in the Muscle Shoals and Memphis sound and has worked with some of the most influential artist of our time such as Eddie Floyd, Bobby Blue Bland, Little Milton, Clarence Carter, Johnny Taylor, B.B. King, Jimmy Hall, Percy Sledge, Gregg Allman, Bonnie Bramlet, The Temptations, Martha and The Vandellas, Four Tops, and The O'Jays. Brad Guin has been working with The Alabama Blues Project Advanced since Spring 2010 and we are proud to have him aboard.

SharBaby - Guitar & Band Leader

PhotobucketSharBaby discovered the blues at the tender age of 6 and started taking guitar lessons at the age of 11. She was inspired by Hubert Sumlin, Howlin’ Wolf’s legendary guitarist. She has performed in many blues festivals such as the Pensacola Blues Festival and Willie King’s Freedom Creek festival, and in 2006, she competed at the Blues Challenge for North Michigan in a Solo/Duo competition. She has shared the stage with blues legends, Willie King and Sam Lay, and shared the bill with greats such as Honey Boy Edwards, Kenny Neal, Sweet Claudette, Otiel Burris, and Kent Burnside. She has a recently released album on Instant Karma Entertainment that features all original songs.

B.J. Reed - Vocals & Band Leader

PhotobucketB. J. Reed joined the ABP as a vocal instructor for the 2007 Spring After-School blues camp. A native of Vienna, Alabama, as a child she discovered that singing songs by vocalists she admired, like Aretha Franklin, was a great tool for entertaining her 10 siblings. She won the West Alabama Female Vocalist of the Year award in 1990, 1993, and 1998. In 1991 she was offered her first professional contract after having being seen at a competition at the prestigious Apollo Theater in Harlem. Critics have described her as a “dynamic vocal genius extraordinaire whose moving vocal performances embrace strong spiritual, social and philosophical values” and compared her to Whitney Houston, Natalie Cole, Lena Horne and Bette Midler! Loving to work with children and knowing first hand how music helped build self-confidence, she developed her own music education program that she presented in underserved Alabama schools. As with all our instructors, she is a regular performer at regional clubs and festivals.

Jesse Suttle - Percussion & Band Leader

PhotobucketJesse Diego Walker Suttle is the Project’s lead drum instructor. Music has always been a part of his life and in addition to drums he plays piano, guitar, bass and trombone. Jesse brings a wealth of experience having played in numerous bands and worked with some of the great names in blues music. His bands include Owsley, Topper Price and the Upsetters, Roosevelt Franklin, Teenage Daddy, South Southern Delta, the Crème Brûlées, Shane Idols, and Lolas. He is currently playing drums for SharBaby’s Blues Party. Jesse has also worked with Jerry “Boogie” McCain, Sam Lay, Shariff Simmons, Lil' Jimmy Reed, and Willie King. In addition to playing with Shar Baby, he is currently working with former Leon Russell guitarist Jason Speegle. When Jesse isn’t practicing, composing or producing music, he is raising his kids, Kathryn, Rachel and Ian with his wife Rebecca Brewer.

Debbie Bond - Executive Director & Producer

PhotobucketBlues vocalist, guitar player and songwriter Debbie Bond has played in her own blues band since 1981. She has shared her band with many blues greats, including Carroline Shines' father, the late, great Johnny Shines, Jerry “Boogie” McCain and James Peterson, and has opened for such artists as Dr. John, Charlie Musselwhite, Roy Buchanan, R. L. Burnside, Big Jack Johnson, Kenny Neal and more. In 1995 she toured Europe with Little Whitt and Big Bo and she continues to be a popular performer on the club and festival circuit around the South East. Debbie toured as second guitar player for Willie King's band the Liberators beginning in 2003 until his death in 2009.

Debbie released a solo CD titled What Goes Around Comes Around. She is featured on the Vent Records CD, Alabama Blues Showcase: A Compilation of Alabama Blues Artists and on a German release by Taxim Records called Blues from the Heart of Dixie which showcases contemporary Alabama blues musicians. Bond is a 2001 recipient of an Alabama State Council on the Arts Master Apprenticeship Grant to study guitar with Eddie Kirkland. A long time “blues activist,” she is the founding director of the Alabama Blues Project, an award-winning blues education organization. Debbie has been working with the Alabama State Council on the Arts and other arts organizations to develop a blues curriculum. She has a B. A. in Sociology and an M. A. in American Studies focusing on the blues.

Frank Jordan - Lead Bass Guitar Instructor

PhotobucketFrank Jordan is a skilled base player from Birmingham, Alabama. He has played with various great blues musicians including Willie King, Eddie Kirkland, Topper Price, Carroline Shines, B.J. Reed, B.J. Miller, and many more. 2010 was Franks first year as an instructor at the Alabama Blues Project’s Summertime Blues Camp. He taught base guitar for the ABP’s first official base program. Although it was his first year as an instructor, Frank is no stranger to the Alabama Blues project. He has participated in several of the ABP’s school residencies programs. Currently, Frank performs with the band Roosevelt Franklyn throughout Alabama.

Ben Joseph - Intermediate Band Leader

PhotobucketBen Joseph is a native of Alabama who grew up on the shores of the Gulf of Mexico. Joseph has been writing and playing music his entire life. He graduated from the University of Alabama with a degree in Music Production & Entrepreneurship. Aside from playing clubs and private parties, Joseph is  also an assistant sound engineer and has worked with several artists and bands over the years. Ben started out as an intern at the Alabama Blues Project in the summer of 2009 and is the current Intermediate band instructor.

LEAD MUSIC & ART INSTRUCTOR

Bruce Andrews - Harmonica & Portrait Art

PhotobucketBruce is an accomplished harmonica player and vocalist that has been playing with bands for over 30 years. He has performed in the International Blues Challenge as a semifinalist four times; and once as a finalist. He is a singer songwriter for the 2Blu & The Lucy Stiffs. They have been selected five times as best unsigned blues band by Magic City Blues Society. He also plays and writes for the award winning band The Alabama Blues Machine. Bruce’s talents extend beyond performing; he is also a published visual artist. His works often depict Blues and Jazz greats and have been published in two children’s books and several magazines publications. Bruce uses his talents to teach art and music for Shelby County Art Council at Shelby County Juvenile detention Center. Currently Bruce is working on a movie soundtrack called “Bama Blues” with and independent film producer.

ART INSTRUCTORS

Chris Clark

PhotobucketChris Clark is a visionary artist from Birmingham. A deeply spiritual, gentle man Chris fills his creations with colorful, uplifting biblical images and life memories. Painted quilts, “spirit sticks,” chairs and other objects serve as his canvas. The inspiration for his “spirit sticks” came during a Sunday church service when he had a vision of a stick surrounded by fabric, paint and buttons swirling around and then attaching themselves to the stick in beautiful patterns. In 1991 his grandmother taught him to quilt and before long his painted quilts were being shown in folk art galleries in Montgomery and Birmingham. His work is featured in national galleries and museum permanent collections including the Mennello American Folk Art Museum, Orlando, Florida. He is also listed in various publications such as “Revelations: Alabama’s Visionary Folk Artists” and “Spirits of the Cloth.” Chris has recently been honored by the Smithsonian Institution in Washington, D.C. with an exhibition from January 30th to June 12, 2005.

Miz Thang

PhotobucketMiz Thang is a self-taught folk artist from Hawkinsville, Georgia. All of her blues art is original. Her wooden pieces are usually cut out of cabinet grade birch and then sanded. She paints with acrylic paint and sometimes she coats her pieces with shellac. She doesn't use brushes, but prefers to paint exclusively with her fingers. When her fingers are in the paint she feels connected to her art and feels she is passing along some of her special brand of mojo. Some of her creations have been on display at shows, museums and galleries throughout the USA and abroad. Her art is on display at the Smith Calloway Banks Southern Folk Art collection and Research Center at Georgia Southern University in Statesboro, GA. Her blues art has been on display at the Georgia Music Hall of Fame in Macon, Georgia since 2004. In addition to being an accomplished folk artist, Miz Thang is a certified music educator.

BLUES HISTORY INSTRUCTOR

Kim Davis

PhotobucketKim Davis has taught Blues History at summer camp since 2009 and taught blues dance in the summer of 2008.  She has also interned with the Alabama Blues Project since the summer of 2008 until she graduated in May of 2010.  While at the ABP, Kim has helped run after-school camp, supervised the art auction at Evening of Art and Blues, and organized the first-ever ABP Open House. Kim holds a B.A. and M.A. in French from the University of Alabama, and completed a Master's level certification in French Education from the University of Alabama.  During her graduate coursework, Kim taught with the Blount Undergraduate Initiative in the College of Arts and Sciences at UA.  She has completed part-time internships at Brookwood High School, Hillcrest High School, and a full-time internship at Northridge High School.  In her spare time, Kim is the lead assistant teacher and Tuscaloosa Coordinator of the Alabama Academy of Irish Dance.

SPECIAL GUESTS

Carroline Shines

PhotobucketOne of Alabama’s best kept secrets is the talented blues diva Carroline Shines. Carroline is carrying on the blues tradition she learned from her father, the late, great, world renowned Johnny Shines. As a legendary guitar player, singer and song writer, Johnny Shines lived the blues, performing and writing songs his entire life, even traveling with Robert Johnson in his youth. He was always a great educator and supporter of the blues, and passed on his passion to his daughter, Carroline Shines. Carroline grew up in this rich musical environment with her father as her mentor. She dedicated her early years to raising her own family and singing in the church and local bands while putting her own career on the back burner. In 2004 Carroline began working with the Alabama Blues Project after-school program, teaching young singers and helping to educate the next generation about the blues. Those who have long been aware of Carroline’s extraordinary talent are so excited that she is launching her performing career.

Dr. Burt

PhotobucketDr. G.B. Burt was born in Birmingham, Ala. on January 30, 1937. During WWII, his family moved to the west coast where his father went to work in the shipyards. In 1947, his family moved back to Alabama and then on to Florida often migrating to wherever his dad could find work. He comes from a musical family. His mother played the piano and sang gospel music. His father and two uncles, Arthur and Herbert Burt, were all blues guitarists. G.B. took up the guitar and started playing the blues when he was in his teens and has kept it up ever since. When he was 14, he began to box. In 1954, he fought in the Golden Gloves tournament and later he trained with Alvin Blues Lewis who went on to fight Muhammad Ali. When he was 30, he married and settled down and found work with Ford Motors in Michigan. After nearly 10 years he went out on his own, bought a wrecker truck and became an independent mechanic, a job he continues to this day.

THANK YOU ASSISTANT TEACHERS!

Stuart Bond - John Hawkins
Alex Kaplan - Mike London

THANK YOU YOUTH WORKERS!

Debra Agyei-Aye - Pam Colvin
Brock Fisher - Kenny Lee
Joe Summerville - Marci White

THANK YOU SPONSORS!

Photobucket  Photobucket  Photobucket 

Captain Carroll Davis Summer
Blues Scholarship Fund

 

Alabama Blues Project
712 25th Avenue
Northport, AL 35476
(205) 752-6263
www.alabamablues.org

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